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The style has been popular since the 1960s, but became even more so in the 1980s following pop culture icon Michael Jackson, and later use by celebrities in films like Top Gun, where Val Kilmer and Tom Cruise sported them. Sylvester Stallone wears this brand of sunglasses in his 1986 action film Cobra.
* DISTORTION FREE REFLECTIVE GLASS LENS
* INCREDIBLY COMFORTABLE - WEAR FOR HOURS
* 70s CLASSIC REBORN - ICONIC AND ULTRA COOL
* CHROME SILVER ALL-METAL HIGH QUALITY FRAMES
* FULL NO QUIBBLE 12 MONTH WARRANTY INCLUDED
* ONE SIZE FITS ALL
* PAPER TAGS INCLUDED
* GENUINE GLASS LENSES - NOT PLASTIC
* ROBUST AND DESIGNED TO LAST FOR YEARS
* LUXURIOUS SMOOTH FINISH
* PROTECTIVE AND STYLISH EYEWEAR
* FULL UV PROTECTION
* MICROFIBER CLEANING CLOTH INCLUDED
* SEMI-HARD BLACK LEATHERETTE CASE INCLUDED
* PREMIUM QUALITY LOOK AND FEEL
* AVIATOR STYLE WORN BY PILOTS, POLICE AND THE MILITARY
DVD Features
In his commentary track, director Martin Scorsese offers his own impressions of Howard Hughes and rattles off his memories of experiencing Hughes's films. He mentions how he made Cate Blanchett watch every Katharine Hepburn film from the '30s on the big screen, and observes that Kate Beckinsale had "a real sense of the stature of a Hollywood goddess." But in general he doesn't talk much about the craft of making the film. That area is covered better by editor Thelma Schoonmaker, who also appears on the commentary track, and producer Michael Mann makes a few appearances (all were recorded separately). The picture is brilliant, but the 5.1 sound is not as aggressive in the rear speakers and subwoofer as one might expect, other than some nice surround effects in the Hell's Angels flying sequence.
The second disc collects almost three hours of features. There's one unnecessary deleted scene, and an 11-minute making-of featurette that's basically the cast and director heaping praise on each other. More interesting are the short featurettes on visual effects (including the XF-11 scene, of course), production design, costumes, hair and makeup, and score, and Loudon Wainwright discusses his and his children's musical performances. Historical perspective is provided by spotlights on Hughes's role in aviation and his obsessive-compulsive disorder, and a 43-minute Hughes documentary from the History Channel (part of the Modern Marvels series, it focuses on his mechanical innovations and spends less than a minute on his movies). More unusual are DiCaprio and Scorsese's appearance on an OCD panel, and a half-hour interview segment DiCaprio did with Alan Alda. --David Horiuchi
The Personalities of The Aviator
 | Leonardo DiCaprio as Howard Hughes "Sometimes I truly fear that I... am losing my mind. And if I did it... it would be like flying blind." | ||
 | Cate Blanchett as Katharine Hepburn Howard Hughes: "You're the tallest woman I have ever met." Katharine Hepburn: "And all sharp elbows and knees. Beware." | ||
 | Kate Beckinsale as Ava Gardner Howard Hughes: "Does that look clean to you?" Ava Gardner: "Nothing's clean, Howard. But we do our best, right?" | ||
 | Gwen Stefani as Jean Harlow Jean Harlow in Hell's Angels: "Would you be shocked if I put on something more comfortable?" | ||
 | Jude Law as Errol Flynn Errol Flynn in Captain Blood: "Up the riggings, you monkeys! Break out those sails and watch them fill with the wind that's carrying us all to freedom!" | ||
 | Director Martin Scorsese "You get a sense of Howard Hughes being Icarus with the wax wings. Those wings were great for a while, but he flies too close to the sun." --Martin Scorsese | ||
Other Movies by The Aviator's Oscar® Winners
Production Designer Dante Ferretti
Film Editor Thelma Schoonmaker
Costume Designer Sandy Powell
Cinematographer Robert Richardson
See all the Oscar® winners at Oscar Central
The Aviator at Amazon.com
 The Aviator soundtrack |  The Screenplay |  Howard Hughes: The Real Aviator |
 Howard Hughes movies |  Great movies of the 1930s |  The films of Martin Scorsese |
